NEVER LOVE THEE MORE.
Longways for as many as will; in two parts (7th Ed., 1686)
Nowadays generally danced with part 1 as an introduction, followed by several turns of Part 2, followed by a finale of Part 1 in reverse: up a double and back twice, step and honour partner, Presence.
Generally danced to slow music (I doubt I have ever slipped the circle half the way Sharp tells us to). You may feel the urge to follow the left-hands-across with a left shoulder back to back. Page maintained by Hugh Stewart (Hugh.Stewart@acm.org)
| MUSIC. | MOVEMENTS. | |
| First Part. | ||
| A | 1-4 | All face up and set-and-honour to the Presence. |
|---|---|---|
| 5-8 | Partners set-and-honour. | |
| 9-12 | Partners lead up a double and fall back a double to places. | |
| 13-16 | That again. | |
| Second Part. (Duple minor-set.) | ||
| A1 | 1-4 | Partners go back-to-back passing by the right. |
| 5-8 | That again passing by the left. | |
| 9-16 | First man and woman fo the Figure-8 through second couple, first man passing counter-clockwise round second woman and clockwise round second man to place; while first woman passes clockwise round second man and counter-clockwise round second woman to place (sk.s.). | |
| A2 | 1-2 | Hands four half-way round (sl.s.). |
| 3-4 | All fall back a double. | |
| 5-8 | Partners cross over and change places (progressive). | |
| 9-12 | Right-hands-across. | |
| 13-16 | Left-hands-across. | |
Nowadays generally danced with part 1 as an introduction, followed by several turns of Part 2, followed by a finale of Part 1 in reverse: up a double and back twice, step and honour partner, Presence.
Generally danced to slow music (I doubt I have ever slipped the circle half the way Sharp tells us to). You may feel the urge to follow the left-hands-across with a left shoulder back to back. Page maintained by Hugh Stewart (Hugh.Stewart@acm.org)
